Whether you have been broken-hearted or are just looking for love, this one is bringing out non-stop emotion.įlume also released an accompanying music video alongside “Say Nothing” that captures the theme even more. MAY-A’s passionate voice and lyrics make “Say Nothing” a opening single that everyone can relate to. It’s a broken love story that fills your heart to its core. In spite of its title, this beautiful track says everything with all the different kicks and emotions clearly heard in every line. At certain moments, the vocals are the main focus, but once the chorus starts, the beats start back up again and take the spotlight. It’s like entering a new eerie world filled with mysteries in each and every corner as we enter the mind of this future bass pioneer. “Say Nothing” starts with powerful vocals and mesmerizing beats that transition to an upbeat yet sad tone. Flume is a musical genius and if you haven’t seen him live yet, catch him at Coachella this April and at The Governors Ball festival this June! Prior to that, the Grammy-winning producer has remixed iconic songs such as Eiffel 65’s “Blue” and even released a drum and bass single, “The Difference”, showing how truly unstoppable he is. We have all been patiently waiting on Flume’s return, especially after he released his remix of “On A Mountain” last year in late August. As he told Apple Music about his choice of collaborators, “I want to find people who are doing something different and open to working with different sounds and unconventional beats-just open-minded people who have something to say.Flumeis back and he is saying everything with his newest single, “Say Nothing”, featuring MAY-A! Alongside this song, he also announced his third upcoming album titled Palaces, out on May 20th. Wherever electronic music is right now, you can be sure that whatever Flume is cooking up in his studio is two steps ahead. On the 2019 mixtape Hi This Is Flume, he dusted off his most experimental beats yet while linking up with slowthai, SOPHIE, and JPEGMAFIA. His twisted trap drums and spacious atmospheres proved the perfect foil for vocalists like Vic Mensa, Tove Lo, and Little Dragon, leading to production work for Lorde and Vince Staples. With 2016’s Skin, he showed his growth with trickier beats and more innovative sound-sculpting, without forgetting about the importance of a perfect hook (exhibit A: “Never Be Like You,” with a swoon-worthy topline from the Toronto singer kai). Those head-nodding beats and hazy effects quickly became staples on chill playlists, but Flume was already lining up his next wave. The sedate vibe was the flip side of EDM’s peak-time energy, but his slippery synths and ribbon-like vocal edits showed kinship with dubstep a sound many would soon call “future bass” was born. The following year, his self-titled debut album established the outline of his nascent sound, pairing spring-loaded drum programming with dreamily chopped-up samples. A decade later, the deliriously laidback vibe of his debut single, “Sleepless,” got him signed to Australia’s Future Classic. In a way, it did crack a code: To see music’s inner workings laid bare came as a revelation to young Streten. The free gift wasn’t a secret decoder ring, but a CD with rudimentary production software. Streten got his start making music when he was 10 or 11, when his dad bought him a box of cereal. In the process, he helped pioneer a whole new dimension of chill. In the early 2010s, just as main-stage EDM was pushing tempos and decibels into the red, Flume-aka Harley Streten, born in 1991-went in the opposite direction, delving into hip-hop beats and airy synths. Australia is a long way from electronic music’s principal hubs, but don’t tell Flume: When he was just 20 years old, the Sydney producer leveraged his easygoing surfer attitude into single-handedly changing the course of electronic music’s evolution.
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